1 00:00:01,000 --> 00:00:03,080 The Argyle is having a few tiny financial issues. 2 00:00:03,080 --> 00:00:04,760 When my father started this place, 3 00:00:04,760 --> 00:00:06,240 do you think he was thinking about money? 4 00:00:06,240 --> 00:00:09,240 I've just got a little budget here for Le Paysan a Moitie Enterre. 5 00:00:09,240 --> 00:00:10,960 The Peasant Show? Yeah. 6 00:00:10,960 --> 00:00:11,960 OK. Not going to happen. 7 00:00:11,960 --> 00:00:14,320 We've got this new CEO. She's really throwing her weight around. 8 00:00:14,320 --> 00:00:16,880 Did you get the email I sent you about the Pulse 54 program? 9 00:00:16,880 --> 00:00:19,800 Mum, I'm a gay man and an actor. Sorry. What? 10 00:00:19,800 --> 00:00:21,440 Oh, that. Yeah. 11 00:00:21,440 --> 00:00:23,000 I barely even notice that anymore. 12 00:00:23,000 --> 00:00:24,360 Ha! Ha! 13 00:00:24,360 --> 00:00:27,000 Margie's cast me in her French play about a peasant. 14 00:00:27,000 --> 00:00:28,880 This isn't happening. Oh, dear. 15 00:00:28,880 --> 00:00:31,720 She has got to go. And I'm more than happy to pull the trigger. 16 00:00:34,360 --> 00:00:35,720 Oh, no. This is bad. 17 00:00:35,720 --> 00:00:37,920 Do we think she's seen this or...? 18 00:00:37,920 --> 00:00:39,640 Just came out this morning. OK. 19 00:00:39,640 --> 00:00:42,120 I just can't imagine having a sister this famous. 20 00:00:42,120 --> 00:00:44,040 Oh, poor Margie. I'll turn the wi-fi off. 21 00:00:44,040 --> 00:00:46,080 Hello? 22 00:00:46,080 --> 00:00:49,000 Morning, everyone. Oh, Kat, I love your hair. 23 00:00:49,000 --> 00:00:51,640 Whoa! Kat's got a new fringe, everyone. 24 00:00:51,640 --> 00:00:53,200 I've had it for ages, actually. 25 00:00:53,200 --> 00:00:54,800 You know, I find, with my hair, 26 00:00:54,800 --> 00:00:57,640 I just kind of need to follow the natural rhythm, you know? 27 00:00:57,640 --> 00:00:59,640 It tells me which way it wants to go in the morning. 28 00:00:59,640 --> 00:01:01,560 Mm. You look great. Thank you. 29 00:01:02,640 --> 00:01:05,040 (SINGS) 30 00:01:05,040 --> 00:01:07,080 31 00:01:07,080 --> 00:01:08,480 32 00:01:08,480 --> 00:01:11,240 33 00:01:18,800 --> 00:01:21,840 Margie, here you are. 10am start today, is it? 34 00:01:21,840 --> 00:01:23,880 Hey, have you seen Kat's new fringe? Look at this. 35 00:01:23,880 --> 00:01:26,040 Very stylish and groovy, Kat. 36 00:01:26,040 --> 00:01:27,920 Can we talk spending now, please, Margie? 37 00:01:27,920 --> 00:01:30,200 Hey, how was your weekend, Julia? Did you have any hot dates? 38 00:01:30,200 --> 00:01:31,680 Come on. Don't be silly. 39 00:01:31,680 --> 00:01:34,000 I don't think anyone's still looking for love at this age. 40 00:01:34,000 --> 00:01:35,400 I'm still looking for love at any age. 41 00:01:35,400 --> 00:01:38,480 I've actually found my 40s to be my most sexually active. 42 00:01:38,480 --> 00:01:40,720 I feel like I'm really in my body. 43 00:01:40,720 --> 00:01:41,880 Right. Yeah. 44 00:01:41,880 --> 00:01:43,320 Like I'm really sitting in my sex. 45 00:01:43,320 --> 00:01:44,400 OK. 46 00:01:44,400 --> 00:01:46,760 I'm feeling good. I don't feel dried up or... 47 00:01:46,760 --> 00:01:49,040 Hey, Mum. Oh, hello, darling. 48 00:01:49,040 --> 00:01:51,240 How are we? Hello, son. 49 00:01:51,240 --> 00:01:53,120 Son. Son. Son. Son. That's my mum. 50 00:01:53,120 --> 00:01:54,200 Son. 51 00:01:54,200 --> 00:01:55,960 That's my mum. Sorry, what the hell is this? 52 00:01:55,960 --> 00:01:58,680 Day one of rehearsal for us, and we are getting into character. 53 00:01:58,680 --> 00:02:00,360 Chookas. Thank you. 54 00:02:00,360 --> 00:02:02,640 I want to learn everything there is to know about the craft. 55 00:02:02,640 --> 00:02:04,640 Oh, no. Don't start saying 'the craft'. Yuck. 56 00:02:04,640 --> 00:02:05,880 We meeting, Julia? 57 00:02:05,880 --> 00:02:07,840 Uh, yes. In fact, here's my son. 58 00:02:07,840 --> 00:02:09,920 Come to Mummy. Come on in. 59 00:02:09,920 --> 00:02:12,000 Oh, um, we're doing a little, um... 60 00:02:12,000 --> 00:02:13,120 Mum. 61 00:02:13,120 --> 00:02:14,240 Yeah. Mama. 62 00:02:14,240 --> 00:02:16,280 Bubby wants a cuddle from Mama. 63 00:02:16,280 --> 00:02:17,760 Waahh... I don't really know what I'm doing. 64 00:02:17,760 --> 00:02:19,920 Alright, I think that's enough. But we have made the point. 65 00:02:19,920 --> 00:02:21,320 Sorry about that. Let's go. 66 00:02:21,320 --> 00:02:23,160 Thanks, Christian. OK. 67 00:02:23,160 --> 00:02:26,400 Yeah. No improv from the admin team. Thank you. 68 00:02:26,400 --> 00:02:27,840 No. 69 00:02:27,840 --> 00:02:31,760 Was that workplace harassment? Do I need to report myself? 70 00:02:31,760 --> 00:02:33,560 Let's stop talking about it. OK. 71 00:02:33,560 --> 00:02:35,400 Alright. Talk to me about the Sydney Theatre Company. 72 00:02:35,400 --> 00:02:37,040 Mm. How are they making so much money? 73 00:02:37,040 --> 00:02:39,240 Big names, mainly. Big names. Like who? 74 00:02:39,240 --> 00:02:41,240 Well, Caitlen Allard for one. 75 00:02:41,240 --> 00:02:42,680 THE Caitlen Allard. Yeah. 76 00:02:42,680 --> 00:02:43,880 Wow. She does stuff for them. 77 00:02:43,880 --> 00:02:44,960 Yeah. 78 00:02:44,960 --> 00:02:46,760 She wouldn't do a show for us, would she? 79 00:02:46,760 --> 00:02:49,200 Well, she has, back when their father was still alive. 80 00:02:49,200 --> 00:02:52,080 Whose father? She's... She's Margie's sister. 81 00:02:52,080 --> 00:02:54,320 You didn't know? Oh. I'm sorry. What? 82 00:02:54,320 --> 00:02:56,480 Different mother, different surname, different vibe. 83 00:02:56,480 --> 00:02:58,960 Let's get her in here. I don't think that's a good idea 84 00:02:58,960 --> 00:03:01,760 because, um, they don't get along very well. 85 00:03:01,760 --> 00:03:03,720 Even better. Let's get Carmel on the line. 86 00:03:03,720 --> 00:03:05,680 We can't afford Caitlen and I need to stress that. 87 00:03:05,680 --> 00:03:07,400 Don't worry about that. I'll find the money. 88 00:03:07,400 --> 00:03:08,880 OK. I'll find us a new donor. 89 00:03:08,880 --> 00:03:11,640 I'll go one better. I will get us a new sponsor. 90 00:03:11,640 --> 00:03:14,760 But until then, it's still essential spending only. 91 00:03:14,760 --> 00:03:15,760 Alright? 92 00:03:15,760 --> 00:03:17,680 I'm writing that down so I don't forget. 93 00:03:18,680 --> 00:03:20,520 MARGIE: Mother's been shopping! 94 00:03:20,520 --> 00:03:22,600 These are absolutely beautiful. 95 00:03:22,600 --> 00:03:24,280 They are all handcrafted. 96 00:03:24,280 --> 00:03:25,840 I commissioned a local artist, 97 00:03:25,840 --> 00:03:27,280 and if you look on the bottom, 98 00:03:27,280 --> 00:03:31,080 they are individually inscribed with words by me. 99 00:03:31,080 --> 00:03:32,880 "I drew a pattern of a majestic woman 100 00:03:32,880 --> 00:03:34,760 "and sewed all night and..." 101 00:03:36,120 --> 00:03:37,720 I think they ran out of room on that one. 102 00:03:37,720 --> 00:03:38,840 Oh, I love it. 103 00:03:38,840 --> 00:03:41,480 Did I hear the word 'handcrafted'? How much did these cost us? 104 00:03:41,480 --> 00:03:43,560 A thousand. What? 105 00:03:43,560 --> 00:03:46,400 Oh, four thous... 4,000...dollars?! 106 00:03:46,400 --> 00:03:47,640 They are cute. 107 00:03:47,640 --> 00:03:49,440 What does yours say, Christian? 108 00:03:49,440 --> 00:03:51,760 "Christian." Oh, that's lovely. 109 00:03:51,760 --> 00:03:53,240 Says it all. Yeah. 110 00:03:53,240 --> 00:03:55,920 I just feel like things have been really hard lately, you know? 111 00:03:55,920 --> 00:03:58,160 So, I wanted to acknowledge that and hold space. 112 00:03:58,160 --> 00:04:00,600 Um, is there anything you've been sitting with, Julia? 113 00:04:00,600 --> 00:04:03,040 I've been sitting with a lot of debt and a crazy spendthrift. 114 00:04:03,040 --> 00:04:05,200 So, no kookaburra for me, thank you. 115 00:04:05,200 --> 00:04:06,920 No. There is. There it is. 116 00:04:06,920 --> 00:04:08,000 It's nice. 117 00:04:09,160 --> 00:04:10,760 "Your strength lies elsewhere." 118 00:04:10,760 --> 00:04:12,880 Mm. Chookas. 119 00:04:12,880 --> 00:04:15,000 That was a total chookas. OK. What is the 'chookas' thing? 120 00:04:15,000 --> 00:04:17,880 Last week, it was eggs, then kookaburras, now chookas. 121 00:04:17,880 --> 00:04:19,320 Why are you all poultry obsessed? 122 00:04:19,320 --> 00:04:21,160 In the theatre it's bad luck to say 'good luck'. 123 00:04:21,160 --> 00:04:22,480 So, we say 'chookas'. 124 00:04:22,480 --> 00:04:24,160 Chookas. ALL: Chookas. 125 00:04:24,160 --> 00:04:26,520 I don't have time. I'm chasing new sponsors. 126 00:04:26,520 --> 00:04:27,840 Oh, that's good, 127 00:04:27,840 --> 00:04:30,840 because I've been thinking, during Le Paysan a Moitie Enterre, 128 00:04:30,840 --> 00:04:32,840 we could project my face on the back of the theatre, 129 00:04:32,840 --> 00:04:34,400 and I'd just be crying in a continual loop. 130 00:04:34,400 --> 00:04:36,240 I thought maybe Russell Crowe... Well, chookas... 131 00:04:36,240 --> 00:04:37,480 ..if you think we're paying for that. 132 00:04:37,480 --> 00:04:39,520 Oh, chookas to you if you think you're not paying for that. OK? 133 00:04:39,520 --> 00:04:41,440 Chookas to you. Chookas. OK. Chookas. 134 00:04:41,440 --> 00:04:42,520 Oh, no, chookas. Chookas. 135 00:04:42,520 --> 00:04:43,520 Ooh! What? 136 00:04:43,520 --> 00:04:45,000 Really? Why can't I...? 137 00:04:45,000 --> 00:04:47,200 Put that...away. Chookas. 138 00:04:47,200 --> 00:04:49,320 Actually. Yes. 139 00:04:49,320 --> 00:04:50,600 Chookas. 140 00:04:50,600 --> 00:04:51,920 Mm. Hmm? 141 00:04:51,920 --> 00:04:55,720 Oh... Can we turn the internet back on, please, Donna? 142 00:05:00,560 --> 00:05:02,760 Oh, your mum is a hard nut to crack, isn't she? 143 00:05:02,760 --> 00:05:04,040 Yeah. Sorry. 144 00:05:04,040 --> 00:05:06,200 No, I just hope she doesn't ruin our play with her budgets. 145 00:05:06,200 --> 00:05:07,920 Yeah. Me too. 146 00:05:07,920 --> 00:05:10,560 Oh, you were going to tell me about the, uh, Smirnov acting method? 147 00:05:10,560 --> 00:05:12,760 Stanislavski. Oh, yeah. Stanislavski. Yeah. 148 00:05:12,760 --> 00:05:15,840 OK. You know what I really feel like, actually? 149 00:05:15,840 --> 00:05:18,880 One of those yummy fish bowl salad things and a green juice. 150 00:05:18,880 --> 00:05:20,960 Ooh, yum. Yum. Ooh, yum. Yum. 151 00:05:20,960 --> 00:05:22,160 Yeah. 152 00:05:23,480 --> 00:05:25,520 You want me to get it? Yes, please. 153 00:05:25,520 --> 00:05:26,560 OK. Yeah. 154 00:05:26,560 --> 00:05:28,040 It's part of the relationship building. 155 00:05:28,040 --> 00:05:30,600 Yeah. Alright. Thanks. (SIGHS) 156 00:05:30,600 --> 00:05:33,680 Internet's back on. Oh, good. Finally. 157 00:05:37,280 --> 00:05:38,600 Faaaa....! 158 00:05:43,480 --> 00:05:45,360 Hello? Hello? 159 00:05:45,360 --> 00:05:47,320 Oh, God. What a smell. 160 00:05:48,240 --> 00:05:50,880 Kat? Kat? A homeless man has just walked right in. 161 00:05:50,880 --> 00:05:52,120 Really? Yeah. 162 00:05:52,120 --> 00:05:54,200 The man in the trench coat with the blood curdling BO. 163 00:05:54,200 --> 00:05:56,960 Yeah, well, you've just described every actor in Melbourne, so... 164 00:05:59,800 --> 00:06:01,080 Oh, Ryan, 165 00:06:01,080 --> 00:06:03,160 how dare you put your finger up at me in a meeting? 166 00:06:03,160 --> 00:06:06,160 Well, how dare you not give Margie the budget she needs for her play? 167 00:06:06,160 --> 00:06:08,280 It has to be unlimited, Mum. OK? 168 00:06:08,280 --> 00:06:10,400 It's really starting to affect our working relationship. 169 00:06:10,400 --> 00:06:12,760 Working relationship? Oh, darling, she's taking you for a ride. 170 00:06:12,760 --> 00:06:15,040 No. She's not. She literally sees something in me. 171 00:06:15,040 --> 00:06:17,320 Now, if you'll excuse me, I need to go and deliver her lunch 172 00:06:17,320 --> 00:06:18,760 and clean her office. 173 00:06:18,760 --> 00:06:20,280 OK, good. Yes. Please get out of here 174 00:06:20,280 --> 00:06:22,200 because I'm waiting for a very important sponsor. 175 00:06:22,200 --> 00:06:24,360 Go on. I'm going to get us the money for a massive star. Off you go. 176 00:06:24,360 --> 00:06:26,240 No, wait. Who's the massive star? Not your business. 177 00:06:26,240 --> 00:06:28,560 No! Mum! Come on. It is my... Come on. 178 00:06:28,560 --> 00:06:29,560 It's Caitlen Allard. 179 00:06:29,560 --> 00:06:30,800 No way. Yes, way. 180 00:06:30,800 --> 00:06:33,360 No, there is no way you're getting Caitlen Allard. Literally. 181 00:06:33,360 --> 00:06:34,520 That's a chookas. 182 00:06:34,520 --> 00:06:36,360 That is a hard chookas. 183 00:06:36,360 --> 00:06:38,920 She's in Marvel movies. 184 00:06:38,920 --> 00:06:40,880 Maybe like... MARGIE: Donna? Jacob? 185 00:06:40,880 --> 00:06:42,480 You know what? I'm happy for her. 186 00:06:42,480 --> 00:06:43,920 Who, bub? Caitlen. 187 00:06:43,920 --> 00:06:46,920 She's doing an off Broadway show. What? No way. I didn't know that. 188 00:06:46,920 --> 00:06:48,560 Did you know that? I didn't know that. 189 00:06:48,560 --> 00:06:51,840 Really? 'Cause it's everywhere. Yep. Off Broadway. 190 00:06:51,840 --> 00:06:53,600 Which is even cooler than on Broadway. 191 00:06:53,600 --> 00:06:55,280 So, of course she gets to do that. 192 00:06:55,280 --> 00:06:57,680 You know, she's probably trying to claw back some credibility. 193 00:06:57,680 --> 00:06:59,400 But, honestly, who cares? 194 00:06:59,400 --> 00:07:02,520 You know what I mean? Who cares? Who cares? Who cares? Who cares? 195 00:07:02,520 --> 00:07:07,240 No-one cares. You know what I mean? No-one...no-one cares about it. 196 00:07:07,240 --> 00:07:11,040 You know? But I just wish her so much happiness and luck, you know? 197 00:07:11,040 --> 00:07:15,440 Like, good luck, Caitlen. You know? Slay! 198 00:07:16,840 --> 00:07:18,400 Slay! 199 00:07:20,560 --> 00:07:23,680 You know what? Let's get on with actual work. 200 00:07:36,560 --> 00:07:38,320 I mean, it is giving peasant. Absolutely. 201 00:07:38,320 --> 00:07:40,560 You know what I mean? Yes. 202 00:07:40,560 --> 00:07:42,760 I just destroyed Mum over your budgets. 203 00:07:42,760 --> 00:07:45,760 You should have seen me. Oh, you didn't have to do that. 204 00:07:45,760 --> 00:07:47,840 Did you just heat those up in the microwave? 205 00:07:47,840 --> 00:07:49,600 Yeah, they're in the freezer if you want them. 206 00:07:49,600 --> 00:07:50,920 Is this black or...? 207 00:07:50,920 --> 00:07:53,120 No nugget fingers. Sorry. 208 00:07:53,120 --> 00:07:55,320 Mum reckons she's getting a big star. 209 00:07:55,320 --> 00:07:56,880 What? DONNA AND JACOB: What? 210 00:07:56,880 --> 00:07:58,560 Yeah. Get ready for this, Caitlen Allard. 211 00:07:58,560 --> 00:08:00,200 Like... What?! 212 00:08:00,200 --> 00:08:02,280 Can you believe that? She's, like, the best actor. 213 00:08:02,280 --> 00:08:04,000 No! Come, come, come, come. What?! 214 00:08:04,000 --> 00:08:05,880 Grab your nugs. Let's go. What did I say? 215 00:08:05,880 --> 00:08:07,080 What are you talking about? 216 00:08:07,080 --> 00:08:08,840 Oh, what did I do? 217 00:08:08,840 --> 00:08:10,440 Caitlen is her sister. 218 00:08:12,120 --> 00:08:15,120 She's just gonna waltz back in here. Great. 219 00:08:15,120 --> 00:08:18,760 I am so sorry you had to hear that from Greasy Nugs. 220 00:08:18,760 --> 00:08:21,840 I mean, what's going on? You know, Papa took me to Paris. 221 00:08:21,840 --> 00:08:23,720 Me. I know, babe. I know. 222 00:08:25,800 --> 00:08:28,000 You know, I could have sold out to Hollywood. 223 00:08:28,000 --> 00:08:30,800 My phone was ringing, you know? 224 00:08:30,800 --> 00:08:34,160 But I stayed at the theatre. You know, the true craft. 225 00:08:34,160 --> 00:08:35,920 Yeah. 226 00:08:35,920 --> 00:08:37,400 Yeah, you're an icon. 227 00:08:37,400 --> 00:08:39,600 You know, I've often thought to myself, you know what? 228 00:08:39,600 --> 00:08:41,640 If Steven Spielberg called me up 229 00:08:41,640 --> 00:08:44,920 and said, "Margie, you know, we've got a film for you here. 230 00:08:44,920 --> 00:08:49,320 "It's a role written just for you, and we'll fly you over first class. 231 00:08:49,320 --> 00:08:51,200 "Hope your passport's ready." 232 00:08:51,200 --> 00:08:52,960 And then I get off at the other side. 233 00:08:52,960 --> 00:08:56,960 And, you know, the driver picks me up and takes me to Chateau Marmont. 234 00:08:56,960 --> 00:08:58,760 I'd say, "No, thank you." 235 00:09:00,480 --> 00:09:02,680 No. That's right. Because you're the bigger person. 236 00:09:02,680 --> 00:09:04,440 Yeah. 237 00:09:04,440 --> 00:09:06,320 I've got to get rid of Julia. That's it. 238 00:09:06,320 --> 00:09:07,960 Yeah. What are you thinking? 239 00:09:07,960 --> 00:09:10,800 Push her down the stairs? Or months of emotional bullying? 240 00:09:12,800 --> 00:09:14,440 Well, neither of those. 241 00:09:16,920 --> 00:09:19,400 Do a play about... This is the main office. 242 00:09:19,400 --> 00:09:21,680 Ah, Christian. Yes. 243 00:09:21,680 --> 00:09:24,120 This is Nick, CEO of Chevy's Chicken. 244 00:09:24,120 --> 00:09:28,440 Wow! I love your Friday night chicken meal for one deal. Big fan. 245 00:09:28,440 --> 00:09:29,640 I came up with that. Really? 246 00:09:29,640 --> 00:09:31,680 Yeah. I haven't eaten it, obviously. Yeah. OK. 247 00:09:31,680 --> 00:09:35,400 Nick's in my Pulse 54 community. We're, like, the cool group. 248 00:09:35,400 --> 00:09:36,880 You, me, Scott. Mm. 249 00:09:36,880 --> 00:09:39,320 A bit like the cool group at school. I'm just kidding. 250 00:09:39,320 --> 00:09:41,280 Have you managed to meet up with Scott yet? 251 00:09:41,280 --> 00:09:43,560 I keep trying to pin him down for a one-on-one, but he's so busy. 252 00:09:43,560 --> 00:09:45,320 No. Apparently he doesn't do one-on-ones. 253 00:09:45,320 --> 00:09:47,120 I'm a Pilates freak myself. 254 00:09:47,120 --> 00:09:49,800 Same sesh every Tuesday for the last seven years. 255 00:09:49,800 --> 00:09:51,280 That's good. Me and the gals. 256 00:09:51,280 --> 00:09:53,080 Let's just go through to my office. 257 00:09:53,080 --> 00:09:55,160 They're going through a lot. I'm happy to be there with them 258 00:09:55,160 --> 00:09:56,960 to, um, do Pilates. 259 00:09:56,960 --> 00:09:58,320 Do you do Pilates? 260 00:09:59,440 --> 00:10:00,760 Yeah. Grab a seat. 261 00:10:00,760 --> 00:10:01,840 I just wanted to bring you in 262 00:10:01,840 --> 00:10:04,000 to just to talk a little bit about the acting process. 263 00:10:04,000 --> 00:10:07,680 You know, you can access whatever you want for a character. 264 00:10:07,680 --> 00:10:11,040 Yeah? Stuff from your childhood. Right. 265 00:10:11,040 --> 00:10:13,720 Like, when did your dad leave? I was heaps young. 266 00:10:13,720 --> 00:10:17,000 Dad said Mum went psycho after having me. He had to go. 267 00:10:17,000 --> 00:10:19,680 Sad and shit. OK. Yeah. 268 00:10:19,680 --> 00:10:21,360 And what was his name? Tom. 269 00:10:21,360 --> 00:10:22,760 Mm. Tom. 270 00:10:22,760 --> 00:10:24,520 And where were you living at that point? 271 00:10:24,520 --> 00:10:26,400 Camberwell, I think. Or... 272 00:10:26,400 --> 00:10:28,720 And... OK. I reckon we can use some of that. 273 00:10:28,720 --> 00:10:31,680 So, let's... You know, how are you feeling? Dad. What's coming to mind? 274 00:10:31,680 --> 00:10:34,000 He's walking away. He's walking away. 275 00:10:34,000 --> 00:10:37,120 He's walking away from you. And how do you feel? 276 00:10:37,120 --> 00:10:38,320 I feel sad. Yeah. 277 00:10:38,320 --> 00:10:40,480 What do you say? What do you say to Dad when he's walking away? 278 00:10:40,480 --> 00:10:43,480 I just say, "Dad, come back! Please. Please come back. 279 00:10:43,480 --> 00:10:44,720 "Why are you leaving me?" 280 00:10:44,720 --> 00:10:47,400 OK. Yeah. 281 00:10:47,400 --> 00:10:50,240 You know, you actually have a really raw quality. 282 00:10:50,240 --> 00:10:52,480 I haven't seen it before. It's fascinating. 283 00:10:52,480 --> 00:10:53,960 Thanks. 284 00:10:55,320 --> 00:10:57,880 Makes me thirsty. For the stage. 285 00:10:57,880 --> 00:10:59,800 No. A latte. Oh. 286 00:10:59,800 --> 00:11:01,240 Mm. I could get you one. 287 00:11:01,240 --> 00:11:03,120 Thank you. Oat. Yeah. Sure. 288 00:11:03,120 --> 00:11:06,080 Don't go to the one down there. Go to the other one. 289 00:11:06,080 --> 00:11:07,720 It's a bit further, but it's better. 290 00:11:08,840 --> 00:11:10,080 Thank you. 291 00:11:10,080 --> 00:11:13,880 Appreciate you taking the time to come in, Nick. So here's the pitch. 292 00:11:13,880 --> 00:11:17,520 Chevy's Chickens sponsors the Argyle Theatre. 293 00:11:17,520 --> 00:11:18,800 Why? Because I'm gay. 294 00:11:18,800 --> 00:11:21,440 Because I know PETA is trying to shut you down. 295 00:11:21,440 --> 00:11:23,760 Battery hens, Nick. Those crazy lefties. 296 00:11:23,760 --> 00:11:25,440 Can't even think for themselves. 297 00:11:25,440 --> 00:11:27,400 I know. I don't like them either. 298 00:11:27,400 --> 00:11:29,280 Speaking of, did you know, in the theatre, 299 00:11:29,280 --> 00:11:31,120 it's bad luck to say 'good luck'. 300 00:11:31,120 --> 00:11:32,800 They say 'chookas'. Chookas. 301 00:11:32,800 --> 00:11:34,200 Chookas. Chookas. 302 00:11:34,200 --> 00:11:37,160 Yeah, so, I'm offering you an exclusive sponsorship deal 303 00:11:37,160 --> 00:11:39,480 for $150,000. 304 00:11:39,480 --> 00:11:41,640 Stay with me. Every play we put on, 305 00:11:41,640 --> 00:11:45,040 someone in a Chevy's costume walks on stage 306 00:11:45,040 --> 00:11:47,280 carrying a roast chicken and says... 307 00:11:47,280 --> 00:11:49,680 Chookas. Chookas. 308 00:11:49,680 --> 00:11:51,000 Suddenly, everyone is saying, 309 00:11:51,000 --> 00:11:52,880 "Oh, Chevy's Chickens champions the arts." 310 00:11:52,880 --> 00:11:54,760 It's not the worst idea I've heard. 311 00:11:54,760 --> 00:11:56,520 (ALARM WAILS) 312 00:11:56,520 --> 00:11:59,720 Uh, just wait. That might just be one of Margie's warm-ups. 313 00:11:59,720 --> 00:12:02,240 No, I think that's real. OK. Let's go. 314 00:12:02,240 --> 00:12:03,840 Ah! What's going on? 315 00:12:03,840 --> 00:12:06,000 Is someone sorting this out? 316 00:12:06,000 --> 00:12:08,560 I'll turn it off. Thank you. I think we're good. 317 00:12:08,560 --> 00:12:11,200 Oh, my God, Christian, it's the homeless guy. 318 00:12:11,200 --> 00:12:12,920 He was cooking in the rehearsal space. 319 00:12:12,920 --> 00:12:14,680 I think it's seafood. It stinks. 320 00:12:14,680 --> 00:12:16,800 Is there a sewage leak in here. MARGIE: Hello, hello, hello! 321 00:12:16,800 --> 00:12:18,240 (UNDER HER BREATH) I think it's the man. 322 00:12:18,240 --> 00:12:19,400 Marcel... 323 00:12:19,400 --> 00:12:21,040 Margie! Mmm! 324 00:12:21,040 --> 00:12:22,840 Oh... OK. 325 00:12:24,120 --> 00:12:25,840 No kissing in the workplace, please. 326 00:12:25,840 --> 00:12:27,760 Alright, everyone. This is Marcel Demarest. 327 00:12:27,760 --> 00:12:29,880 He's our artist in residence all this week. 328 00:12:29,880 --> 00:12:31,320 He's also agreed to run 329 00:12:31,320 --> 00:12:33,600 an Accessing Your Inner Clown workshop this afternoon, 330 00:12:33,600 --> 00:12:35,040 exclusively for us. 331 00:12:35,040 --> 00:12:36,520 Surprise! What? 332 00:12:36,520 --> 00:12:38,000 I am all the way from France 333 00:12:38,000 --> 00:12:43,440 to tell you that none of you are being your honest, true selves. 334 00:12:43,440 --> 00:12:47,000 You are all pieces of shit. 335 00:12:47,000 --> 00:12:48,760 MARGIE: Mm. Challenging. 336 00:12:48,760 --> 00:12:52,200 He's a world-renowned clowning expert. 337 00:12:52,200 --> 00:12:53,920 God, how much is this costing us? 338 00:12:53,920 --> 00:12:55,720 You. You. Oh... 339 00:12:55,720 --> 00:12:58,400 You have a very tight, trapped energy. 340 00:12:58,400 --> 00:13:00,160 Yes, that's what I've been saying. Hmm? 341 00:13:00,160 --> 00:13:02,360 She's got no access to her emotions. 342 00:13:02,360 --> 00:13:04,520 I studied under Marcel in France. 343 00:13:04,520 --> 00:13:06,920 (SING-SONG) 344 00:13:06,920 --> 00:13:09,200 Hey... (LAUGHS) 345 00:13:09,200 --> 00:13:12,280 Oh...listen to him. If... 346 00:13:12,280 --> 00:13:14,280 (BOTH LAUGH) Best years of my life. 347 00:13:14,280 --> 00:13:16,760 How did that trench coat get through Customs? 348 00:13:16,760 --> 00:13:19,160 Margie, can we have a word, please? What? What do you want? 349 00:13:19,160 --> 00:13:20,640 Let's talk outside. 350 00:13:20,640 --> 00:13:21,920 In the fresh air. 351 00:13:21,920 --> 00:13:23,840 God. Alright, I'll be back. OK? 352 00:13:23,840 --> 00:13:25,920 (BOTH SPEAK FRENCH) 353 00:13:25,920 --> 00:13:28,840 Ah, oui. A bientot. D'accord. Au revoir, Margie. 354 00:13:28,840 --> 00:13:30,840 (BURPS) Pardon. 355 00:13:30,840 --> 00:13:32,480 What? What do you want? 356 00:13:32,480 --> 00:13:34,120 He's not very funny, is he? Who? 357 00:13:34,120 --> 00:13:35,880 Your homeless clown. 358 00:13:35,880 --> 00:13:37,800 Marcel? Oh, no. No, you'll love him. 359 00:13:37,800 --> 00:13:41,160 He's worked in corporate settings. He opened Steve Jobs right up. 360 00:13:41,160 --> 00:13:43,680 Isn't he dead? Yeah. But he wasn't always dead. 361 00:13:43,680 --> 00:13:45,680 Oh, this is the dumbest conversation. 362 00:13:45,680 --> 00:13:48,000 The point is I've got a very important sponsor on the hook, 363 00:13:48,000 --> 00:13:52,040 so leave me out of your whole clowning think tank, whatever it is. 364 00:13:52,040 --> 00:13:54,320 You know, sponsors are a collective decision. 365 00:13:54,320 --> 00:13:56,400 Well, not anymore. So, chookas. Oh, chookas. 366 00:13:56,400 --> 00:13:57,920 Oh, chookas. Oh, chookas to you. 367 00:13:57,920 --> 00:13:59,400 Oh, enough chookas! Chookas. Chookas. 368 00:13:59,400 --> 00:14:00,520 Shh! 369 00:14:00,520 --> 00:14:04,560 Steven Job is in a small ball, screaming. 370 00:14:04,560 --> 00:14:07,640 Then, slowly, he opens his eyes. 371 00:14:07,640 --> 00:14:13,440 He looks at me and he says, "Like an iPhone, but bigger." 372 00:14:13,440 --> 00:14:16,760 Et voila! That is how he invented the iPad. 373 00:14:16,760 --> 00:14:17,920 Unbelievable. 374 00:14:17,920 --> 00:14:20,400 I am the catalyst for all this. 375 00:14:20,400 --> 00:14:24,080 Nick, I thought we might take this conversation offline, 376 00:14:24,080 --> 00:14:26,440 maybe go to a cafe, talk more about the sponsorship. 377 00:14:26,440 --> 00:14:28,280 No, no, I think I want to stick around for this workshop. 378 00:14:28,280 --> 00:14:30,280 Oh, good. Bon. 379 00:14:30,280 --> 00:14:32,520 Great. Yeah. So, go and see Donna. 380 00:14:32,520 --> 00:14:34,440 Jump into some comfies and I'll catch you in there. 381 00:14:34,440 --> 00:14:35,920 Some whatsies? Comfies. 382 00:14:35,920 --> 00:14:39,240 You can't wear that. We're gonna get right into our bodies during this. 383 00:14:39,240 --> 00:14:40,840 Alright. I'll smash this. 384 00:14:40,840 --> 00:14:45,320 I have been wearing this same jacket since 1992. 385 00:14:45,320 --> 00:14:46,920 Well, I think that surprises no-one. 386 00:14:46,920 --> 00:14:48,160 It looks good, Marcy. 387 00:14:48,160 --> 00:14:49,240 Look. 388 00:14:49,240 --> 00:14:50,480 You like, eh? 389 00:14:50,480 --> 00:14:53,040 Yeah, look, I'll have to run it up the flagpole, 390 00:14:53,040 --> 00:14:54,480 but I think we might have a deal. 391 00:14:54,480 --> 00:14:56,760 Wonderful. Good decision. You won't regret it. 392 00:14:56,760 --> 00:15:00,000 Mum, Margie does not want pastel-coloured comfies. 393 00:15:00,000 --> 00:15:02,040 Nick, this is my son, Ryan. 394 00:15:02,040 --> 00:15:03,120 Sup, bro? 395 00:15:03,120 --> 00:15:04,840 Sup, Ryan? This is Nick. 396 00:15:04,840 --> 00:15:07,720 Nick is the CEO of a huge hospitality company, 397 00:15:07,720 --> 00:15:10,400 and he also has a partner called Michael. 398 00:15:10,400 --> 00:15:11,920 Who's a man. OK. 399 00:15:11,920 --> 00:15:13,560 He's a finance gay. 400 00:15:13,560 --> 00:15:16,120 I'm just saying, not all gays end up in the arts. 401 00:15:16,120 --> 00:15:17,560 Mum, you can't say stuff like that. Why not? 402 00:15:17,560 --> 00:15:19,680 No, no. It's OK. She's right. See? 403 00:15:19,680 --> 00:15:21,080 Look, when I was at uni, 404 00:15:21,080 --> 00:15:24,080 I thought the drama department was the only place for me. 405 00:15:24,080 --> 00:15:28,360 But then I realised that it's OK to love KPIs. 406 00:15:28,360 --> 00:15:30,000 This is cooked. 407 00:15:30,000 --> 00:15:32,840 You're cooked for that, Mum. That's from the horse's mouth, Ryan. 408 00:15:34,480 --> 00:15:36,080 Through here. Oh, my God. 409 00:15:36,080 --> 00:15:38,280 Oh! OK. 410 00:15:38,280 --> 00:15:39,720 Oh! Oh! 411 00:15:39,720 --> 00:15:42,360 Is that garlic or shit. Maybe both. 412 00:15:42,360 --> 00:15:45,640 Is that guy living here? He pockets his hotel per diems. 413 00:15:45,640 --> 00:15:47,080 Come on in, everyone. 414 00:15:47,080 --> 00:15:50,680 Leave your old selves at the door and embrace your inner clown. 415 00:15:50,680 --> 00:15:53,440 Oh, my God. Does she not have a sense of smell? 416 00:16:00,360 --> 00:16:02,200 What's happening? I don't know, really. 417 00:16:06,360 --> 00:16:08,320 (AWKWARD LAUGHTER) C'est fini. 418 00:16:08,320 --> 00:16:11,440 How funny. Oh, that stuff is hilarious. 419 00:16:11,440 --> 00:16:14,120 Marcel's going to do another activity for us now 420 00:16:14,120 --> 00:16:18,680 about finding a character or personage, as they say in the French. 421 00:16:18,680 --> 00:16:21,160 So, listen up, everyone. Ears to the front. 422 00:16:21,160 --> 00:16:23,400 We're each going to get into character now. 423 00:16:23,400 --> 00:16:26,360 Who is living inside you? Hmm? 424 00:16:26,360 --> 00:16:28,840 Hello? Who is in there? 425 00:16:31,200 --> 00:16:33,240 You. Get up. 426 00:16:33,240 --> 00:16:34,840 Who is there? 427 00:16:34,840 --> 00:16:37,200 Do not bore me. Hmm? Allez. 428 00:16:41,120 --> 00:16:42,720 Quick. Go. Go. Go. 429 00:16:42,720 --> 00:16:44,120 (CLEARS THROAT) 430 00:16:44,120 --> 00:16:45,920 (CARTOONISH ENGLISH ACCENT) 'Ello! 'Ello! 431 00:16:45,920 --> 00:16:47,520 My name's Walter. 432 00:16:47,520 --> 00:16:49,400 I'm the biggest lady's man in town. 433 00:16:49,400 --> 00:16:51,840 I love rock'n'roll music in my Cadillac car. 434 00:16:51,840 --> 00:16:53,360 No. No. No. No. 435 00:16:53,360 --> 00:16:57,480 This is based in no truth. I feel nothing. Rien! 436 00:16:57,480 --> 00:16:59,920 You are... You are empty. Vide! 437 00:16:59,920 --> 00:17:01,920 OK. Get off. 438 00:17:01,920 --> 00:17:04,360 Get off. Get off! Yep. Empty apparently. 439 00:17:04,360 --> 00:17:05,560 I didn't want to do that. 440 00:17:05,560 --> 00:17:07,520 I really didn't want to do that. I don't know. 441 00:17:07,520 --> 00:17:08,640 You. 442 00:17:10,680 --> 00:17:12,120 (MOOING) 443 00:17:12,120 --> 00:17:15,880 No! No! No! No! No! (HORN TOOTS) 444 00:17:15,880 --> 00:17:18,960 I have fallen asleep, I am so bored! 445 00:17:18,960 --> 00:17:20,880 I hope I die in my sleep. 446 00:17:20,880 --> 00:17:21,920 Ugh! 447 00:17:23,040 --> 00:17:24,400 Get out of my eyes! 448 00:17:26,960 --> 00:17:28,600 Mon Dieu. 449 00:17:31,000 --> 00:17:33,600 You. You. Get up. 450 00:17:33,600 --> 00:17:35,560 Uh, no, I won't. Thank you. 451 00:17:35,560 --> 00:17:38,160 What? You are scared? No, I'm not scared. 452 00:17:38,160 --> 00:17:40,320 I just have financial reports to check. 453 00:17:40,320 --> 00:17:43,800 Oh, too scared to do it. Some great corporate leader. 454 00:17:43,800 --> 00:17:46,160 I will not be goaded into doing something silly 455 00:17:46,160 --> 00:17:48,400 by a clown and a bunch of lefties. 456 00:17:48,400 --> 00:17:50,560 Let's get out of here, Nick. Let's go and sign some contracts. 457 00:17:50,560 --> 00:17:51,560 MARGIE: Yoo-hoo! 458 00:17:52,560 --> 00:17:54,440 Who have we got here? 459 00:17:54,440 --> 00:17:58,280 I'm Julia McNamara. Oh. Ha-ha! 460 00:17:58,280 --> 00:18:00,240 (ROBOTIC VOICE) How much does that cost? 461 00:18:00,240 --> 00:18:03,040 How much does that cost? I'm a corporate robot. 462 00:18:03,040 --> 00:18:06,200 Is that my suit? This is something interesting. 463 00:18:06,200 --> 00:18:07,840 Oh, my God. Ah, ah, ah, ah, ah. 464 00:18:07,840 --> 00:18:10,320 It's a grindset. Like a mindset. 465 00:18:10,320 --> 00:18:11,920 Uh, uh... That's funny. 466 00:18:11,920 --> 00:18:13,240 Silence! 467 00:18:13,240 --> 00:18:15,680 I cannot feel, 468 00:18:15,680 --> 00:18:17,880 but I have secrets. 469 00:18:17,880 --> 00:18:20,360 Lots and lots of secrets. 470 00:18:20,360 --> 00:18:22,920 How long have you been living in this corporate hell? 471 00:18:22,920 --> 00:18:24,800 18 years! 472 00:18:24,800 --> 00:18:27,120 Since I lived in Camberwell. What? 473 00:18:27,120 --> 00:18:30,080 Oh, but, Tom! Tom! 474 00:18:30,080 --> 00:18:31,720 Hey, come on! Do not leave! 475 00:18:31,720 --> 00:18:34,120 Ryan, you want to jump in? Allez! Allez! 476 00:18:34,120 --> 00:18:35,800 Yes. Come here! 477 00:18:35,800 --> 00:18:38,720 Let Mummy look after you. 478 00:18:38,720 --> 00:18:39,760 What's she doing? 479 00:18:39,760 --> 00:18:41,040 Ah, oui. 480 00:18:41,040 --> 00:18:42,600 Oh, my God, she's gonna breastfeed! 481 00:18:42,600 --> 00:18:46,640 Oh! Hey! Hey! Whoa! No! No! 482 00:18:46,640 --> 00:18:49,840 Oh! I'm Margie. 483 00:18:49,840 --> 00:18:52,240 I feel my feelings. 484 00:18:52,240 --> 00:18:54,400 And everything's about me. 485 00:18:54,400 --> 00:18:56,920 Everyone pay attention to Margie. 486 00:18:56,920 --> 00:18:59,840 Incroyable. This is real. 487 00:18:59,840 --> 00:19:02,200 You see what Julia is doing here? We build. 488 00:19:02,200 --> 00:19:04,840 What else? Chookas. Chookas. 489 00:19:04,840 --> 00:19:07,600 Papa took me to Paris. Ooh! 490 00:19:07,600 --> 00:19:11,600 And now I'm in my 40s my breasts are so fulsome. 491 00:19:11,600 --> 00:19:14,680 I'm having more sex than I've ever had before. 492 00:19:14,680 --> 00:19:17,120 I don't walk like that. I don't walk like that. 493 00:19:17,120 --> 00:19:20,360 Julia, I would love to explore this further, huh? 494 00:19:22,240 --> 00:19:24,400 That was so good. 495 00:19:24,400 --> 00:19:25,960 Good commitment. 496 00:19:25,960 --> 00:19:27,720 Let's all...get back to it. 497 00:19:27,720 --> 00:19:28,840 OK. Wow. 498 00:19:30,120 --> 00:19:31,920 Well done, everyone. 499 00:19:31,920 --> 00:19:33,480 Incroyable. 500 00:19:33,480 --> 00:19:34,960 (SOBS) 501 00:19:34,960 --> 00:19:36,240 Nick, I'm so sorry. 502 00:19:36,240 --> 00:19:38,880 I know that was upsetting. I'm... Are you alright? 503 00:19:38,880 --> 00:19:42,160 I'm just... I'm a corporate robot. No. Don't be silly. 504 00:19:42,160 --> 00:19:45,160 My life is meaningless. I don't even like chicken. 505 00:19:45,160 --> 00:19:46,680 Everyone likes chicken. Come on. 506 00:19:48,200 --> 00:19:51,040 That was very powerful. OK? Thank you. 507 00:19:51,040 --> 00:19:53,120 I know what I have to do now. 508 00:19:53,120 --> 00:19:55,280 I have so much to learn from you, Marcel. 509 00:19:55,280 --> 00:19:58,200 So, how do I find my true self? 510 00:19:58,200 --> 00:20:00,320 You move to France, 511 00:20:00,320 --> 00:20:04,120 you make three payments of 467 euros, 512 00:20:04,120 --> 00:20:05,600 and you smoke this. 513 00:20:06,680 --> 00:20:08,080 Hey. OK. 514 00:20:08,080 --> 00:20:12,040 If you have a credit card or how you say direct debit... 515 00:20:12,040 --> 00:20:14,440 (SPEAKS FRENCH) ..c'est facil. 516 00:20:14,440 --> 00:20:17,720 Right. Right. Yes. I'll get my wallet. Hang on. Yes. 517 00:20:17,720 --> 00:20:22,040 Hey, Marcel. Have you seen that I'm doing Le Paysan a Moitie Enterre. 518 00:20:22,040 --> 00:20:24,240 Ah, oui! Le Paysan a Moitie Enterre! 519 00:20:24,240 --> 00:20:27,640 I see Caitlen is doing a show off Broadway. 520 00:20:27,640 --> 00:20:28,960 Yes, I know, I know. 521 00:20:28,960 --> 00:20:30,680 Why is everyone obsessed with Caitlen? 522 00:20:32,240 --> 00:20:35,680 Maybe your father loved her slightly more than you. 523 00:20:38,080 --> 00:20:40,440 But remember when Papa took me to Paris? 524 00:20:40,440 --> 00:20:43,000 Remember we had that tiny rehearsal space in the apartment 525 00:20:43,000 --> 00:20:44,200 and we'd all go... 526 00:20:44,200 --> 00:20:46,280 This is so boring! Yes. 527 00:20:46,280 --> 00:20:48,240 Use it for your art. 528 00:20:49,320 --> 00:20:50,400 Mmm. 529 00:20:50,400 --> 00:20:53,640 More wine! More fun! 530 00:20:55,680 --> 00:20:56,960 Sorry, Marcel. 531 00:21:09,000 --> 00:21:11,080 Don't! Don't! 532 00:21:11,080 --> 00:21:12,440 Arrgh! 533 00:21:12,440 --> 00:21:14,240 (LAUGHTER) 534 00:21:14,240 --> 00:21:15,640 Oh! Watch out! (HORN TOOTS) 535 00:21:15,640 --> 00:21:18,000 (LAUGHTER, SHOUTING AND TOOTING CONTINUES) 536 00:21:24,280 --> 00:21:26,160 Whoa, whoa, whoa, whoa, whoa. 537 00:21:26,160 --> 00:21:27,600 What's going on here? 538 00:21:27,600 --> 00:21:29,480 Margie just asked me to clean her office. 539 00:21:29,480 --> 00:21:31,760 Oh, I saw what you... That's disgusting. 540 00:21:31,760 --> 00:21:33,560 She's one of the finest actors in the country. 541 00:21:33,560 --> 00:21:35,720 And you're going to do that? Hey, hey, hey. What's going on here? 542 00:21:35,720 --> 00:21:37,080 Oh... 543 00:21:37,080 --> 00:21:38,720 I hate to be the bearer of bad news, 544 00:21:38,720 --> 00:21:40,360 but I've just walked in on your son 545 00:21:40,360 --> 00:21:42,840 sexually interacting with that poster. 546 00:21:42,840 --> 00:21:44,160 Sexually? Yes. 547 00:21:44,160 --> 00:21:46,320 I was just cleaning it. I don't see tits. 548 00:21:46,320 --> 00:21:48,080 It's just Windex and glass. 549 00:21:48,080 --> 00:21:49,680 They're called breasts, Ryan. 550 00:21:49,680 --> 00:21:51,040 And they happen to be attached to 551 00:21:51,040 --> 00:21:52,560 one of the finest actors in this country. 552 00:21:52,560 --> 00:21:54,600 Look, we've all thought about it, OK? 553 00:21:54,600 --> 00:21:56,520 But we don't act on it. 554 00:21:56,520 --> 00:21:57,800 Keep it in there. 555 00:21:57,800 --> 00:21:59,240 I'm gay. What? 556 00:22:00,960 --> 00:22:04,720 You know what? I've had a huge day. I'm out of here. Wow. 557 00:22:07,680 --> 00:22:10,280 Ryan, why are you still here? I'm doing chores, actually. 558 00:22:10,280 --> 00:22:13,200 Chores? You don't even put a plate in the dishwasher at home. 559 00:22:13,200 --> 00:22:17,400 I did actually want to say, Mum, you were pretty great up there today. 560 00:22:17,400 --> 00:22:19,120 Oh. Thank you. 561 00:22:19,120 --> 00:22:21,400 But in future, can you please not tell Margie 562 00:22:21,400 --> 00:22:23,080 things about my personal life? 563 00:22:23,080 --> 00:22:24,760 Yes. 564 00:22:24,760 --> 00:22:26,920 Or simulate breastfeeding? Yes. Fine. 565 00:22:26,920 --> 00:22:29,520 Or do whatever it is you were doing with that poster. 566 00:22:29,520 --> 00:22:31,520 Oh, OK. Yes. Anything else? 567 00:22:34,040 --> 00:22:35,760 (MUFFLED SHOUTING, HORN TOOTING) 568 00:22:37,320 --> 00:22:38,800 What the hell... 569 00:22:38,800 --> 00:22:40,280 ..is that? 570 00:22:40,280 --> 00:22:42,720 (MOANING, HORN TOOTS) 571 00:22:42,720 --> 00:22:44,240 MARCEL: Oh, no. No! No! 572 00:22:46,560 --> 00:22:48,720 Ma cherie... 573 00:22:54,120 --> 00:22:56,920 Here comes another. Oh... 574 00:23:05,320 --> 00:23:06,440 Oh, wow. 575 00:23:09,000 --> 00:23:10,840 (GENTLE SNORING) Good morning. 576 00:23:12,520 --> 00:23:13,880 Girls are out, Margie. 577 00:23:13,880 --> 00:23:15,800 Oh, we must have fallen asleep. 578 00:23:15,800 --> 00:23:19,360 Oh, dear. We were having a late night... 579 00:23:19,360 --> 00:23:21,600 ..clown workshop, weren't we? Oh, is that what you call it? 580 00:23:21,600 --> 00:23:25,640 Yeah, I was playing the role of a lonely housewife, I think. 581 00:23:25,640 --> 00:23:28,040 Right. What have I been doing? 582 00:23:28,040 --> 00:23:31,320 You had some really good ideas about slapstick. Tell her that. 583 00:23:31,320 --> 00:23:34,880 Uh, I don't think so. No. I need to get back to my job and my life. 584 00:23:34,880 --> 00:23:37,320 Great. And what about our sponsorship deal? 585 00:23:37,320 --> 00:23:40,000 No, I want nothing more to do with this place. OK? 586 00:23:40,000 --> 00:23:42,040 Uh, hang on a minute. We had an agreement. 587 00:23:42,040 --> 00:23:46,280 The agreement is cactus. It's over. Your chook is cooked. 588 00:23:46,280 --> 00:23:49,080 Oh, Nick, I think you are being a little hasty. 589 00:23:49,080 --> 00:23:50,680 Hang on... Oh, no. 590 00:23:50,680 --> 00:23:52,960 ..'cause I've got something that might just change your mind. 591 00:23:54,240 --> 00:23:55,240 Some breakfast? 592 00:23:56,440 --> 00:23:58,440 Merci, Marcel. 593 00:23:58,440 --> 00:24:00,040 Oh, mussels. 594 00:24:00,040 --> 00:24:01,080 Yum. 595 00:24:03,240 --> 00:24:04,280 Oh! 596 00:24:06,400 --> 00:24:09,280 No, Marcel. No more mussels, please. 597 00:24:09,280 --> 00:24:12,080 Ah, Marguerite. Julia. 598 00:24:12,080 --> 00:24:13,880 I was hoping you would still be here. 599 00:24:13,880 --> 00:24:17,200 Hey, if anyone's worried about what happened at our workshop last night, 600 00:24:17,200 --> 00:24:18,760 it was all made up, OK? 601 00:24:18,760 --> 00:24:20,840 It's called acting. That's not what I saw. 602 00:24:20,840 --> 00:24:23,400 You just don't recognise artistic expression. 603 00:24:23,400 --> 00:24:25,640 And you don't recognise a clown with STDs. 604 00:24:25,640 --> 00:24:27,480 But the good news is I have secured 605 00:24:27,480 --> 00:24:30,920 a $150,000 sponsorship from Chevy's Chooks. 606 00:24:30,920 --> 00:24:33,280 Carmel is thrilled. Julia, please. 607 00:24:33,280 --> 00:24:35,360 That chook guy is long gone. 608 00:24:35,360 --> 00:24:37,640 I don't think so. Already signed off on it. 609 00:24:37,640 --> 00:24:39,200 An exclusive deal. 610 00:24:39,200 --> 00:24:40,360 Their branding on our artwork, 611 00:24:40,360 --> 00:24:42,120 plus the placement of a roast chicken 612 00:24:42,120 --> 00:24:43,960 in every play moving forward, 613 00:24:43,960 --> 00:24:46,080 carried on by a Chevy's mascot. 614 00:24:46,080 --> 00:24:47,280 That's an artistic decision. 615 00:24:47,280 --> 00:24:49,240 You can't just put roast chooks into plays. 616 00:24:49,240 --> 00:24:51,160 We're a roast chook nation. Everyone's going to love it. 617 00:24:51,160 --> 00:24:53,200 I don't believe Nick's changed his mind. 618 00:24:53,200 --> 00:24:54,840 You're bluffing. Yeah. 619 00:24:54,840 --> 00:24:57,680 He didn't really have a choice. 620 00:24:57,680 --> 00:24:58,960 (AUDIO ON PHONE) Oh... 621 00:24:58,960 --> 00:25:00,280 I showed him that. 622 00:25:00,280 --> 00:25:01,880 (LAUGHTER AND HORN TOOTS) 623 00:25:01,880 --> 00:25:03,960 Didn't want his partner seeing this. 624 00:25:05,040 --> 00:25:07,080 Oh. Ooh. 625 00:25:07,080 --> 00:25:10,200 I look quite good there, don't I? It's a powerful angle. 626 00:25:10,200 --> 00:25:14,680 I think that is the most expensive sexual congress that man's ever had. 627 00:25:14,680 --> 00:25:17,280 I can't believe you used that against Nick. 628 00:25:17,280 --> 00:25:18,960 That's evil, Julia. 629 00:25:18,960 --> 00:25:21,240 Yep. But now we can afford a big star. 630 00:25:21,240 --> 00:25:24,200 So, I just need to get a contact for Caitlen Allard's agent. 631 00:25:25,960 --> 00:25:28,760 Got one? No? 632 00:25:28,760 --> 00:25:30,480 Oh, well. Chookas. 633 00:25:31,560 --> 00:25:34,240 634 00:25:34,240 --> 00:25:35,640 635 00:25:35,640 --> 00:25:40,000 636 00:25:40,000 --> 00:25:41,200 637 00:25:41,200 --> 00:25:43,920 638 00:25:45,600 --> 00:25:47,000 Caitlen has 639 00:25:47,000 --> 00:25:48,760 2 million online followers. 640 00:25:48,760 --> 00:25:50,200 That is how you shift tickets. 641 00:25:50,200 --> 00:25:51,200 Caitlen Allard, eh? 642 00:25:51,200 --> 00:25:53,160 Oh, Why is everyone obsessed with her?! 643 00:25:53,160 --> 00:25:54,160 I can't work out 644 00:25:54,160 --> 00:25:55,800 what's going on with this dysfunctional family. 645 00:25:55,800 --> 00:25:56,920 Ryan, you're young. 646 00:25:56,920 --> 00:25:58,520 How do I get online followers like Caitlen. 647 00:25:58,520 --> 00:26:00,640 When I do a thumbs-up, it means we're live. 648 00:26:00,640 --> 00:26:02,200 What is going on out there? 649 00:26:02,200 --> 00:26:04,280 (SINGS) Heyyy! 650 00:26:04,280 --> 00:26:06,560 Excuse me. Who are you? Julian Assange. 651 00:26:06,560 --> 00:26:08,560 I will be going full method for this role. 652 00:26:08,560 --> 00:26:10,080 What are you doing at my computer? 653 00:26:10,080 --> 00:26:11,640 Who has been posting about me 654 00:26:11,640 --> 00:26:13,320 on the Argyle's socials account? 655 00:26:13,320 --> 00:26:15,520 Oh, my God. What have you guys done? 656 00:26:15,520 --> 00:26:19,600 657 00:26:19,600 --> 00:26:24,000 658 00:26:24,000 --> 00:26:26,720 well, that's forever...